Landscapes of Indigenous Performance: Music, Song and Dance of the Torres Strait and Arnhem Land

Katelyn Barney

doi:10.1017/S132601110000421X

Landscapes of Indigenous Performance: Music, Song and Dance of the Torres Strait and Arnhem Land

Authors

Katelyn Barney School of Music

DOI:

https://doi.org/10.1017/S132601110000421X

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References

Beckett J. ( 1981). Modem music of Torres Strait. Canberra: Australian Institute of Aboriginal Studies

Connell J. ( 1999) My island home: The politics and poetics of the Torres Strait. In King R. and Connell J. (Eds.), Small worlds, global lives: Islands and migration(pp. 195– 213). London: Pinter.

Davis R. (Ed.). ( 2004) Woven histories dancing lives: Torres Strait Islander identity, culture and history. Canberra: Aboriginal Studies Press

Neuenfeldt K. ( 2002) Torres Strait maritime songs of longing and belonging. Journal of Australian Studies, 57, 111– 116.

Stokes M. ( 1994) Introduction: Ethnicity, identity and music. In Stokes M. (Ed.), Ethnicity, identity and music: The musical construction of place(pp. 1– 27). Oxford: Berg Publishers

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Published

2006-12-01

How to Cite

Barney, K. (2006). Landscapes of Indigenous Performance: Music, Song and Dance of the Torres Strait and Arnhem Land. The Australian Journal of Indigenous Education, 35(1), 102–103. https://doi.org/10.1017/S132601110000421X

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Issue

Vol. 35 No. 1 (2006)

Section

Book Reviews

License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The Australian Journal of Indigenous Education is in the process of transitioning to fully Open Access. Most articles are available as Open Access but some are currently Free Access whereby copyright still applies and if you wish to re-use the article permission will need to be sought from the copyright holder. This article's license terms are outlined at the URL above.