Utilising PEARL to Teach Indigenous Art History: A Canadian Example

Authors

  • Carmen Robertson University of Regina

DOI:

https://doi.org/10.1017/jie.2012.9

Keywords:

Indigenous art history, transformative education, PEARL

Abstract

This article explores the concepts advanced from the Australian Learning and Teaching Council (ALTC)-funded project, ‘Exploring Problem-Based Learning pedagogy as transformative education in Indigenous Australian Studies’. As an Indigenous art historian teaching at a mainstream university in Canada, I am constantly reflecting on how to better engage students in transformative learning. PEARL offers significant interdisciplinary theory and methodology for implementing content related to both Canadian colonial history and Indigenous cultural knowledge implicit in teaching contemporary Aboriginal art histories. This case study, based on a third-year Indigenous art history course taught at University of Regina, Saskatchewan in Canada will articulate applications for PEARL in an Aboriginal art history classroom. This content-based course lends itself to an interdisciplinary pedagogical approach because it remains outside the traditional disciplinary boundaries accepted in most Eurocentric-based histories of art. Implementing PEARL both theoretically and methodologically in tandem with examples of contemporary Indigenous art allows for innovative ways to balance course content with the sensitive material required for students to better understand and read art created by Indigenous artists in Canada in the past 40 years.

Downloads

Download data is not yet available.

References

AbsolonK., & WillettC. (2005). Putting ourselves forward: Location in Aboriginal research. In BrownL. & StregaS. (Eds.), Research as resistance: Critical, Indigenous, & anti-oppressive approaches (pp. 97–126). Toronto: Canadian Scholar's Press.

BalM. (2002). Travelling concepts in the humanities: A rough guide. Toronto: University of Toronto Press.

BellM. (1993). Making an excursion. Kanata: Robert Houle's Histories. Ottawa, Canada: Carleton University Art Gallery.

BoyerB. (1983). A smallpox issue. Retrieved from www.virtualmuseum.ca/Ehibitions/BobBoyer/en/artwork015.html

CampbellM. (2011). Foreword. In AndersonK. (Ed.), Life stages and native women: Memory, teachings, and story medicine (pp. xv–xix). Winnipeg: University of Manitoba Press.

DeloriaV. (1997). Red earth, white lies: Native Americans and the myth of scientific fact. Golden, CO: Fulcrum Publishing.

DerridaJ. (1987). The Parergon. The truth in painting (Trans. BenningtonG. & McLeodI.). Chicago, IL: University of Chicago Press.

FaragoC. (2009). Silent moves: On excluding the ethnographic subject from the discourse of art history. In PreziosiD. (Ed.), The art of art history: A critical anthology (pp. 195–213). London: Oxford University Press.

GardnerE. (2000). First Nations House of Learning: A continuity of transformation. In Brant CastellanoM., DavisL., & LahacheL. (Eds.), Aboriginal education: Fulfilling the promise (pp. 190–207). Vancouver: University of British Columbia Press.

Hodgson-SmithK. (2000). Issues of pedagogy in Aboriginal education. In Brant CastellanoM., DavisL., & LahacheL. (Eds.), Aboriginal education: Fulfilling the promise (pp. 156–170). Vancouver: University of British Columbia Press.

KovachM. (2005). Emerging from the margins: Indigenous methodologies. In BrownL. & StregaS. (Eds.), Research as resistance: Critical, Indigenous, & anti-oppressive approaches (pp. 97–126). Toronto: Canadian Scholar's Press.

MackinlayE., & BarneyK. (2011). Teaching and learning for social justice: An approach to transformative education in Indigenous Australian studies. In WilliamsG. (Ed.), Talking back, talking forward: Journeys in transforming Indigenous education practice (pp. 117–128). Darwin, Australia: Charles Darwin University Press.

McMasterG. (1999). Towards an Aboriginal art history. In Jackson Rushing IIIW. (Ed.), Native American art in the twentieth century: Makers, meanings, histories (pp. 81–96). New York: Routledge.

MirzoeffN. (1998). Visual culture reader. London: Routledge.

RobertsonC., & WeberA. (2007). Teaching Indian art history: A conversation about post-secondary Indigenous art education. Third Text, 21(3), 341–356.

SaidE. (1978). Orientalism. New York: Random House.

SturkenM., & CartwrightL. (2009). Practices of looking: An introduction to visual culture. New York: Oxford University Press.

Teaching4Change. (2012). PEARL in Indigenous Australian studies. Retrieved from http://www.teaching4change.edu.au/content/adapting-pbl-indigenous-australian-studies

WilsonS. (2008). Research is ceremony: Indigenous research methods. Halifax, Canada: Fernwood Publishing.

Downloads

Published

2012-08-01

How to Cite

Robertson, C. (2012). Utilising PEARL to Teach Indigenous Art History: A Canadian Example. The Australian Journal of Indigenous Education, 41(1), 60–66. https://doi.org/10.1017/jie.2012.9

Issue

Section

Articles